Joseph haydn haydn - amsterdams kamerorkest amsterdamer kammerorchester frühklassik - concerti von ha


Haydn was inspired to create The Creation following his trips to the UK, where he heard the oratorios of Handel still being performed with massive forces. He is quoted as saying that, once in the flow, he begged God to let him be able to finish the work – clearly knowing he was onto a corker.

At one particular performance, just a year before he died, Haydn had to be carried into the hall on a chair to hear his music. As the audience billed and cooed at various sublime sections, Haydn was forced to take the spontaneous applause. He is said to have pointed to the sky, smiled and said, ‘It’s not from me: everything comes from up there!’

Recommended Recording

Heather Harper (soprano); Pamela Bowden (mezzo-soprano); Alexander Young (tenor); John Shirley-Quirk (bass); Choir of King’s College, Cambridge; Academy of St Martin in the Fields ; David Willcocks (conductor). EMI Classics: 3759292.

References:

Mozart- "The Golden years" - by HC. Robbins 1989
Schirmer Boob. Mozart - by Hugh Ottaway 1979
Orbis. Maria Theresa - by Edward Cranbhaw, 1969 Longmans.
Encyclopaedia of Freemasonry by Albert C. MacKay and Charles T. McClenachan, 1924 Edition, The Masonic History Company.
Encyclopaedia Brittanica.
Encarta Encyclopaedia by Microsoft.

Haydn struggled at first, working at many different jobs: as a music teacher, as a street serenader, and eventually, in 1752, as valet–accompanist for the Italian composer Nicola Porpora , from whom he later said he learned "the true fundamentals of composition". [14] He was also briefly in Count Friedrich Wilhelm von Haugwitz 's employ, playing the organ in the Bohemian Chancellery chapel at the Judenplatz . [15]

From 1791, Haydn spent four years in London composing music and experiencing life outside the royal court. His time in London was the high point of his career. He earned nearly 24,000 gulden in a single year (the sum of his combined salary of nearly 20 years as Kapellmeister). Haydn spent the last years of his life in Vienna composing only vocal pieces such as masses and oratorios. Haydn passed away in the middle of the night from old age. Mozart’s Requiem was performed at his funeral.

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Two works often identified and even published as piano concertos by Haydn, and commonly taught to younger piano students, are actually Divertimenti, grouped in Hob. XIV. Specifically, they are Hob. XIV:3 (the "Little Concerto" in C major), and Hob. XIV:4 (another "concerto" in C major). However, another work of similar technical difficulty that is also identified and published as a concerto is the Concerto in F, Hob. XVIII:F1.

 · Haydn ’s massive late oratorio The Creation is considered by more than a few to be his great masterpiece, despite the limitations of a rather dubious ...

In addition to a number of works for two violins and cello and 126 baryton trios, Haydn wrote a number of attractive piano trios between 1784 and 1797. The best-known of these is the G major Trio with its so-called ‘Gypsy’ rondo.


Joseph Haydn Haydn - Amsterdams Kamerorkest Amsterdamer Kammerorchester Frühklassik - Concerti Von Haydn • Quantz • DittersdorfJoseph Haydn Haydn - Amsterdams Kamerorkest Amsterdamer Kammerorchester Frühklassik - Concerti Von Haydn • Quantz • DittersdorfJoseph Haydn Haydn - Amsterdams Kamerorkest Amsterdamer Kammerorchester Frühklassik - Concerti Von Haydn • Quantz • DittersdorfJoseph Haydn Haydn - Amsterdams Kamerorkest Amsterdamer Kammerorchester Frühklassik - Concerti Von Haydn • Quantz • Dittersdorf

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